writing

Two Hundred Copies: Authenticity, Value and Property in the Arts

An essay on how U.S. copyright law defines a work of art through authorship and singularity — no more than 200 copies, signed and numbered — and how that definition reveals the neoliberal ideologies at work in the art world and in the management of artistic legacies. Essay published in Take Me: Delusions of Control in Contemporary Art (San Francisco Art Institute, 2016).

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